We use Lasergraphics for enabling non-linear, tapeless file-based workflows. No need to scan and re-scan film. The entire film can ben scanned once and saved as high-resolution DPX files. And creative work can begin immedicately while scanning, dramatically reducing the time from ingest to output. There are no more time consuming copy operations or the need for an expensive fibre channel-based SAN. You will save system costs, improve efficiency and allow for future expandability.
We use Arrilaser digital film recorder, which writes digital movie files onto film after compositing and audio mastering on the computer. Files are sent to the device via a fast gigabit Ethernet connection. The Arrilaser uses three solid-state lasers (red, green, and blue) as a light source, and significantly reduces the cost of recording digital images onto film. The Arrilaser film recorder demonstrates a high level of engineering resulting in a compact, user-friendly, low-maintenance device while at the same time maintaining outstanding speed, exposure ratings and image quality.
Digital Intermediate (Baselight)
We use Baselight for delivering better performance that exceeds anything else in the marketplace. We have dedicated hardware control surface, is specifically designed for non-linear grading and simplifies the creation of complex grades and effects.
We have gone to great lengths to make Baselight productive for multiple workflows. Baselight is a highly flexible system at home with all input and output resolutions and formats, and with linear, video and log image sequences; timelines can even include shots of different formats.
Digital Intermediate (Scratch)
We have Scratch Digital Intermediate Process Solution for the essential mix for a resolution independent, data pipeline. Along with data management, SCRATCH features a rich set of DI and post tools for working in any combination of HD, SD, film.
We have Smoke professional video editing software connects editing and visual effects like never before. Smoke is the professional choice for all-in-one video editing and effects. By integrating familiar editing tools and node-based compositing directly into the timeline, Smoke is revolutionizing video post-production. We Save time from complex multi-application workflows by having all the tools you need at your fingertips so you can focus on being creative.
Editing (Final Cut Pro)
We allow users to log and transfer video onto a hard drive (internal or external), where it can be edited, processed, and output to a wide variety of formats. We are using Final Cut Pro, which has developed a large and expanding user base, mainly video hobbyists and independent filmmakers.
For powerful and creative video capture and offline editing tools, to high-performance online finishing and graphics systems, We offer Avid, a range of comprehensive multi-format solutions for demanding professionals to fulfill your film and video needs and budget
We do Visual Effects for various processes by which imagery is created and/or manipulated outside the context of a live action shoot. Visual effects involve the integration of live-action footage and generated imagery to create environments which look realistic, but would be dangerous, costly, or simply impossible to capture on film.
We use 3D animation which is digitally modeled and manipulated by an animator. The animator starts by creating an external 3d mesh to manipulate, a mesh is a geometric configuration that gives the visual appearance of form to an 3D object or 3D environment. The mesh may have a lot of vertices which are to geometric points which make up the mesh, it is given an internal digital skeletal structure called an armature that can be used to control the mesh with weights.
We do 3D modeling for the process of developing a mathematical representation of any three-dimensional surface of object (either inanimate or living) via specialized software. The product is called a 3D model. It can be displayed as a two-dimensional image through a process called 3D rendering or used in a computer simulation of physical phenomena. The model can also be physically created using 3D printing devices.
Titling and Logos
We use Adobe after effects for titling and logos. Adobe After Effects is primarily used for creating motion graphics and visual effects. After Effects allows users to animate, alter and composite media in 2D and 3D space with various built-in tools, as well as individual attention to variables like parallax and user-adjustable angle of observation.